Artifort In the trade for 50 years Paul Geijselaers
Craftsmanship

In the trade for 50 years

The iconic Ribbon® by Pierre Paulin is shaped by its metal body, the rubber, the webbing and the canvas. He designed this iconic armchair in 1960. Paulin, who started as a sculptor, would sometimes create his design from folding paper. The task of realizing Paulin's vision lay with the craftsmen at Artifort. One of these craftsmen is master upholsterer Paul Geijselaers from Maastricht. His favourite chair is the Ribbon.

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Craftsmanship

Geijselaers remembers how he started learning his trade at Artifort in 1965, ‘I was never really ‘academic’ when I was a child. The non-academic children just got a job when they left school. Someone in the village worked in the wood department at Artifort. He told my parents to go and have a look there. That's how I started my apprenticeship at Artifort at the age of fourteen. I had to provide the upholsterers with all their materials, learn everything about the fabrics and destroy the models with upholstery that did not make the grade. I started with the easy work; the backs of the sofas. After two years, I had to take an exam in which I had to upholster three armchairs by myself. As the years passed by, I was given more difficult tasks.’

Geijselaers is Artifort's Ribbon® specialist. What is it about this chair that makes it so special?

Geijselaers explains: ‘The Ribbon® is a real challenge because of the iron body. The rubber, webbing and the canvas are glued to the body; there is no staple to be seen on this chair. This is a painstaking job because the material is not allowed to crease. The back now has a zip, but it used to be sewn closed by hand.’ The fabric from Momentum is his favourite fabric for the Ribbon®. ‘I also work very well with the Artifort Selecte fabric.’ Geijselaers continues. ‘This fabric was developed in collaboration with Kvadrat and it has a good stretch. A good stretch is essential when trying to upholster rounded shapes.’